The intention
The artist wanted the lead vocal to sit inside the mix rather than on top of it, with the percussion, harmonies, and ad-libs carrying more presence. The vocal still needed to remain clear while living in a large sense of space.
Selected work
Every record begins with a different intention. These selected projects show how NAVVHOUSE approaches clarity, emotion, vocal focus, impact, and translation without replacing the character that made the song the artist's own.

Short case study
Cohan the Kid
A vocal-led mix built around intentional depth—keeping the lead seated inside a large, clear space while giving the percussion, harmonies, and ad-libs more presence.
Listen for what changed
The same 1:14–1:50 passage is used on both sides. Playback level is matched so balance, space, focus, and emotion—not volume—make the difference.
The artist wanted the lead vocal to sit inside the mix rather than on top of it, with the percussion, harmonies, and ad-libs carrying more presence. The vocal still needed to remain clear while living in a large sense of space.
The rough needed a stronger overall balance and a clearer vocal picture. Muddiness made it harder for the lead, supporting vocals, percussion, and other elements to occupy distinct space.
The mix reduced muddiness, kept every element audible, and created room for the lead to sit naturally inside the record while the percussion, harmonies, and ad-libs stayed present.
The lead remains clear while sitting inside a large space. The supporting elements stay present, while the artist's overall vocal tone and requested balance are preserved.
More before & after
2ZDY · 2024
Four moments from one album. Each comparison uses the same passage and a shared −15 LUFS playback level.
Mixed by Markus Caban

Track 03
Track 09
Track 04
Track 05
Released work






Your record will need its own decisions.
NAVVHOUSE will review the project and explain the clearest path forward.